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SUMMER PROGRAMS 2008
CRESCENDO... a three-part concert series of
FRANZ
LISZT CHAMBER ORCHESTRA
BANDA ÁDÁM - violin, MOZART The popularity of some masterpieces may overshadow their true qualities. One such piece is Mozart's Eine Kleine Nachtmusik from 1787. The light, perfectly structured, and, as manuscripts attest, originally planned as a five movement, serenade is a worthy companion to Don Giovanni. One of the most promising talents of the up-and-coming young violinist generation, Ádám Banda mounts the stage as the soloist of perhaps the most well-known of the five concertos penned during the Salzburg years, the Violin Concerto in G. Also related to Salzburg is the six-movement, horn and strings Divertimento in F, which Mozart composed for the birthday of Countess Antonia Lodron. Tickets: 2800 Ft
FRANZ
LISZT CHAMBER ORCHESTRA
VÁRDAI ISTVÁN - cello, Beethoven: Coriolan Overture op. 62 In 1807, the now forgotten drama Coriolan by H. J. von Collin (1772-1797) inspired Beethoven to compose the Coriolan Overture as a companion to Symphony no. 5. The short orchestral piece is characterized by a sense of fatality typical of tragedies of destiny, a clash of opposites. It took the 40-year-old Schumann, largely regarded as a composer of piano pieces, less than a week to write the Cello Concerto in A minor. István Várdai, who has proved himself at various international competitions, plays the uninterrupted flow of three movements. Even though Beethoven's name has become synonymous with the genre Symphony no. 1 came relatively late, in 1800. Five years after Haydn's last symphony which marked the end of an era, Beethoven both honors the great predecessors and charts a new direction which he would follow consistently right up to Symphony no. 9. Tickets: 2500 Ft
FRANZ
LISZT CHAMBER ORCHESTRA
HIROKA MATSUMOTO - violin, Vivaldi: Symphony in G RV 146 Two celebrated composers of their time are the focus for the last concert of the series: Vivaldi, also known as the Red Priest, and the most British of German composers, Handel. "Vivaldi wrote only one piece in his life – about three hundred times." This popular observation is both too concise and appears to be tainted by jealousy, but the fact remains that Vivaldi had a tendency to choose this genre to convey his message. Moreover, he played a crucial role in solidifying the concerto as a genre. If there is one piece that everybody in the world knows – including those that have never heard it – it is the Four Seasons. Despite this, the four concertos still offer a lot to discover for musicians and audiences alike. This evening Hiroka Matsumoto gives us a good example for globalization: a piece written by an Italian composer who died in Austria, played by a thirteen-year-old Japanese prodigy accompanied by a Hungarian orchestra. Tickets: 2500 Ft
MUSIC IN THE GARDEN
BUDAPEST RAGTIME BAND Classic ragtime and dixieland music, Tickets: 2000 Ft
HOT JAZZ BAND Tickets: 2000 Ft
August 23 Saturday 20.00
JURAJ PETER - singer Bach: Prelude and Fugue
GYÖNGYÖSSY ZOLTÁN - flute Antonio Vivaldi - Johann Sebastian Bach: A minor Concerto
ÓBUDA CHAMBER CHOIR Religious and Secular Chorales from the Italian Renaissance
ALBERT SCHWEITZER CHAMBER ORCHESTRA Mozart: Serenata notturna K 239
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